PAULA COBO

(answers without questions/ enunciations on the infinite surface of enclosed reality/unfolding movements of thought through diverse intensities and speeds/a collage procedure/approximations to a practice of anti-property just as territory/ways to unveil in between the plane of the nameless/ecriture as event)

• _Index

• About
• _Biography
• _CV

• Images (recent work)
• _[inˈhabit] ing
• _The worst thing in the world ...
• _After 1973
• _Untitled
• _[Others]

• Texts
• _After 1973
• _Poetics of Loose
• _[Interview]Zen-avantgarde
• _Ways to Understand...
• _Guattari in Conversation with
• _In this country stupidity....

paulacobog[at]gmail.com
all content © 2010

AFTER 1973
Charlotte Fogh Contemporary
Thanks to the support of DIVA Grant, the Danish International Visual Arts Council
and DJK / DET JYSKE KUNSTAKADEMI og
SPLAB / SPECIALLABORATORIUM FOR KUNST OG OFFENTLIGHED præsenterer
Paula Cobo (1982- Chile) & Luis Guerra (1974-Chile)

If Amnesia is our natural condition, and Memory is just our cultural building, how Memory works constantly through us, unconsciously? and how important is in the process of developing our social spaces? If memory is always a political statement, and ideological one, if memory is a language that is showing the lack of something, memory as a footprint of an abandonment, how could be possible to share a discourse like that, how could be possible to build ways of communication about it?

Objects as thoughts, as poetry, its language of silence and presence, as surfaces of ghosts, not spirits, ghosts, specters, shadows shining in its total precariousness. After 1973, as an exhibition, is a poem of presences and an essay about memory.

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